Academic publications
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Chávez Heras, D. (2024) Cinema and Machine Vision: AI, Spectatorship and Aesthetics. Edinburgh University Press.
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Chávez Heras, D. (2023) Creanalytics: Automating the supercut as a form of critical technical practice. Convergence, 30(1). https://doi.org/10.1177/13548565231174592
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Bunz, M., Chávez Heras, D., Jäger, E., Milne, A. and Zylinska, J. (2023) Towards a C5 model in Creative AI. Creative AI Lab. https://creative-ai.org
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Chávez Heras, D., Blanke, T. (2021) On machine vision and photographic imagination. AI & Society 36, 1153–1165. https://doi.org/10.1007/s00146-020-01091-y
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Chávez Heras, D. (2019) Spectacular machinery and encrypted spectatorship. A Peer-Reviewed Journal About 8(1). 1: 170–182. https://doi.org/10.7146/aprja.v8i1.115423
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Chávez Heras, D. (2014) Producción espacial en las Carceri d’invenzione de Piranesi y los calabozos digitales de Diablo 3. In: Sienra Chaves S, Peréz García A, Rodríguez Torres L, et al. (eds) La Imagen Como Pensamiento. Universidad Autónoma del Estado de México. Available at: http://ri.uaemex.mx/handle/20.500.11799/32285
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Chávez Heras, D. (2012) The Malleable Computer: Software and the Study of the Moving Image. Frames Cinema Journal 1(1).