Main research themes and interests
Most of my work falls in one of these overlapping categories:
- Computational moving image studies
- Computational creativity and creative computing
- Interdisciplinary design
- Synthetic media and generative approaches in computational humanities
- Critical technical practice, systems literacy, and computing cultures
At King’s, I am affiliated to the following groups:
- Creative AI Lab
- Computational Humanities Research Group
- AI Institute
- Institute for Human and Synthetic Minds
Recent projects and outputs
- Intelligent Systems for Screen Archives (ISSA) — a BFI-funded project developing AI tools and skills for moving image archives, in partnership with five UK archives
- DEERIN prototypes — four modular, open-source tools for data enrichment, exploration, retrieval, and interaction with screen heritage collections, developed through ISSA
- FrameSense — an open-source tool for processing large moving image collections into machine-readable datasets, developed with King’s Digital Lab
- MESH Hub — new Arts & Humanities infrastructure for computational media experimentation at King’s, funded through a Research Infrastructure Fund bid
- ARCAM-net — a proposed European research network for computational audiovisual media, heading towards a 2027 COST Action resubmission led by Mila Oiva
- My book Cinema and Machine Vision (Edinburgh University Press, 2024)
Below is a screenshot of my PURE profile “fingerprint”based on my publications; for more details see this note about my work.
